Perhaps it is a protective role which is played by the gods and goddesses placed in niches in the superstructure of the Vahalakadas (gateways) of the Kantaka Cetiya at Mihintale, Sri Lanka. This goddess made of terra-cotta and covered with lime plaster occupies a side niche, the central position being reserved for the male god. Stylistically this sculpture may be attributed to the early Anuradhapura period (2nd century B.C.E.-1st century A.D.).
Technical Assistant: Jayasundare, Subhashini
International Center for Ethnic Studies, Kandy, Sri Lanka
Norwegian Agency for Development Cooperation
American Institute for Sri Lankan Studies, Colombo
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Forms part of Photographic documentation of Women as depicted in early Sri Lankan sculpture and painting / Slide in present collection